In the tribal villages of Hazaribagh and its adjoining districts in the Indian state of Jharkhand, mud homes of Adivasis, are adorned with bold, figurative murals. There are two major art forms — Sohrai and Khovar, based on the harvest and marriage seasons. Khovar art was traditionally for decorating the marriage chamber of the bride and groom, and it usually depicts the animals and plants of neighbouring forests and valleys. The name Khovar is derived from two words: kho or koh (meaning: a cave) and var (meaning: husband). Symbolizing fertility, the mural-making takes place each spring during the marriage season.The marriage season runs from January until the onset of the monsoons in June. It is in these months that Khovar designs are painted by the mother of the bride and other women of the villages as part of their traditional matrimonial ritual, where the marriage rites are performed and the newly-wed couple will sleep. This special area of the house is painted and decorated. Mothers pass on to daughters down countless generations the skills and motifs to create murals.